My sculptural work, created after graduation, mainly reflects my interests in the construction of space and the response of the body in it. Research of the matter has guided me through various conceptual approaches to spatial installations that can offer me the most vivid form of expression. In my artistic practice, based on usage of selected forms and materials (silicone, epoxy resin, textiles, hair, plaster castings, marble ...) I have in the recent years built spatial atmospheres that invoke ambivalence of feelings. At first I started from the influence of the space on the viewer, but now I am more interested in the performative role of my own body during the work process. I often cast individual pieces directly with my own body, or I dress and document a work of art with a photograph that can appear as part of the content of the exhibition. Each of mine pieces is always a part of a wider spatial installation. When I talk about the traces of the body, I think about the tension and sophistication of a surface that resembles human skin or bone-like surface. Modelling of these forms can be very fragmentary as well as  made up of different materials. Almost as a rule, however, it results in the deformation of familiar shapes on the one hand and on the other, the use of materials that arouse the desire to touch. In my  spatial installations, I always leave space of emptiness for the viewer. I see viewer as a body entering into a relationship with the setting thus reviving the dialogue.